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Description
TAG | Std Duty Towbar & Universal Wiring Kit | Toyota Corolla Hatch 01–07 | T2T124-K301TAG Standard Duty Towbar & Universal Wiring Harness Kit (T2T124 K301) This TAG Standard Duty Towbar and Universal Wiring Kit (T2T124 K301) is designed for the Toyota Corolla ZZE12x Hatchback series, covering models including the Sportivo, manufactured from 12 2001 to 05 2007. This towbar is rated for Standard Duty (Class 2) towing, providing a maximum Towing Capacity of 750kg and a Ball Weight of 60kg. It features a Partially Concealed look, and
TAG Standard Duty Towbar & Universal Wiring Harness Kit (T2T124-K301)
This TAG Standard Duty Towbar and Universal Wiring Kit (T2T124-K301) is designed for the Toyota Corolla ZZE12x Hatchback series, covering models including the Sportivo, manufactured from 12/2001 to 05/2007. This towbar is rated for Standard Duty (Class 2) towing, providing a maximum Towing Capacity of 750kg and a Ball Weight of 60kg. It features a Partially Concealed look, and installation requires no bumper cut-out or removal. The kit includes the necessary TAG Universal Wiring Harness and 7 Pin Flat Socket for general electrical connection.
This Kit Includes:
- TAG Standard Duty Towbar (T2T124)
- TAG Universal Wiring Harness
- TAG 7 Pin Flat Socket - Vehicle Side
TAG Standard Duty Towbars are designed and manufactured in Australia and feature:
- Factory Mounting Points for ease of fitment
- Durable Powder Coated Finish
- Flat Fixed 2-Bolt Tow Ball Mount (L295)
- TAG Limited Lifetime Warranty
- Towbar includes Tow Ball
Specifications:
- Style: 7 Pin Flat
- Type: Plugs & Sockets
- Fitting Time [min.] (UNTEC2W): 120
- Fitting Time [min.] (T2T124): 180
- Towbar Class: Standard Duty
- Towbar Capacity [kg]: 750
- Hitch Type: Flat Fixed 2 Bolt
- Tow Ball Mount: L295
- Coating: Enamel Immersion Dipped
- Bumper Removed During Fitment: No
- Bumper Cut Out Required: No
- Exposure: Partially Concealed
- Ball Weight [kg]: 60
Important Information
- The image shown may not reflect the actual product
- Shipping times may vary depending on destination and stock availability
Vehicle Applications (Full Details)
| Make | Model | Year Start - Year End | Body Type | Engine Details | Drivetrain | Trim Level |
|---|---|---|---|---|---|---|
| TOYOTA | COROLLA | 05/2003 - 05/2007 | Hatchback | 2ZZ-GE 1.8L Petrol | FWD | ZZE123 VVTL-i TS |
| TOYOTA | COROLLA | 05/2003 - 05/2007 | Hatchback | 2ZZ-GE 1.8L Petrol | FWD | ZZE123 VVTL-i TS |
| TOYOTA | COROLLA | 12/2001 - 04/2007 | Hatchback | 1ZZFE 1.8L Petrol | Automatic/Manual FWD | ZZE122R SECA, ASCENT, SPORT, CONQUEST, TTR LE, ULTIMA |
| TOYOTA | COROLLA | 12/2001 - 05/2007 | Hatchback | 1ZZ-FE 1.8L Petrol | FWD | ZZE122R VVTi |
| TOYOTA | COROLLA | 12/2001 - 05/2007 | Hatchback | 1ZZ-FE 1.8L Petrol | FWD | ZZE122R VVTi |
| TOYOTA | COROLLA | 05/2003 - 12/2006 | Hatchback | 2ZZGE 1.8L Petrol | Manual FWD | ZZE123R SPORTIVO |
| TOYOTA | COROLLA | 10/2002 - 01/2006 | Hatchback | 1ZZFE 1.8L Petrol | Automatic/Manual FWD | ZZE122R SECA, ASCENT, SPORT |
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4.3 ★★★★★
Based on 22 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
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